FAVOURITE SONGS - RSS Feed

Most Wonderful Rendering Of Kharaharapriya Yesudas- Pakkala NilabaDi (Old Live Performance) .wmv

Sun, 06 Mar 2016 16:33:44 +0000

One of The great rendering-" our dasettan"...

BANTU REETHI (SRI TYAGARAJA KRITHI) (CARNATIC CLASSICAL-VOCAL)

Sun, 06 Mar 2016 16:33:44 +0000

Visakha Dance & Music Academy AND Seetha Ramaiah Sangeetha Seva Trust Presented

Carnatic Classical (Vocal) by Smt. M Sasirani &

Hindustani Classical (Instrumental) by

Sri Subrata De, New Delhi (S I T A R)

Sri Saibal Chaterjee, Kolkata (Tabla)

Sri V Seetha Ramaiah, Visakhapatnam (Keyboard)

At: Kalabharati Auditorium, Visakhapatnam on 16-06-2013.

SOUND: SEETHA RAMAIAH's OWN SOUND SYSTEM (JBL)

The origin of Indian Classical Music:-
The origin of Indian Classical Music, can be traced back to the age of vedas (ie., the Samaveda, one of the four Vedas, describes music at length), Bharata's Natya Sastra, from around the 5th century A.D., and Saranga Deva's Sangita Ratnakara, from the early13th century A.D., that are considered to be the earliest recorded documents available on the theory and performance of Indian classical music. The history of Carnatic Classical music is incomplete without stating about the contributions made by the saints Sri Purandharadasu ( of 15th century A.D.) , Sri Thyagaraja , Sri Shyama Sastri (of 18th century A.D.), who left an enduring legacy of compositions. This tradition has a rich heritage and is perfectly attuned with Indian culture and religion.

Smt. M Sasirani (Visakhapatnam):- A senior Carnatic Classical Vocal exponent, initially learnt from Smt Darbha Vijayalakshmi, K Veerabhadra Rao, Edidha Kondala Rao, K Prakasha Rao, further from Sri Ivatoori Vijayeswar Rao from Visakhapatnam. Obtained Diploma in Carnatic Classical Music in 1988 and a graded Artiste of All India Radio & Doordarshan in Classical, light & Devotional music. Rendered Carnatic Classical (Vocal) concerts in All India Radio, on various stages including Visakha Music & Dance Academy, Visakhapatnam. A sincere, simple, humble personality ideal to be an example to others.

Item - 4.
Carnatic Classical Music (Vocal)

by Smt. M. SASIRANI, Visakhapatnam.

Mrindangam: Sri S Subramanyam, Violin: Sri H. Ramcharan.

' B A N T U R E E T H I '

Raagam; H A M S A N A A D A M

Taalam: A A D I T A A L A M

Rachana: S R I T Y A G A R A A J A K R I T I

Vandana Srinivasan: From Carnatic To Hindustani

Sun, 06 Mar 2016 16:33:44 +0000

http://inktalks.com At INK2013, Vandana Srinivasan mesmerizes with her melodious voice as she takes us on a musical journey from a Bharathiyar's Carnatic composition, to a Tamil film song, to Nitin Sawhney's soulful composition "Nadia" in the Hindustani style.

ABOUT INK: INKtalks are personal narratives that get straight to the heart of issues in 18 minutes or less. We are committed to capturing and sharing breakthrough ideas, inspiring stories and surprising perspectives--for free!

Watch an INKtalk and meet the people who are designing the future--now.
http://INKtalks.com

ABOUT VANDANA SRINIVASAN:
Vandana is an independent musician and playback singer with an eclectic range of influences. She grew up in Qatar where she trained in Carnatic music, moved to London where she explored the sounds of the Bangla migrant community, and finally moved to India to pursue her passion. She is the lead female vocalist for Staccato -- a Chennai-based band that was chosen out of 10,000 entries from Asia to perform at the London Olympics.

Vandana also co-founded The Krimson Blend, a two-piece acoustic outfit with Prithvi Chandrashekhar, and runs an artists' collaboration initiative, Vandanam. Multi-faceted Vandana also has a Masters degree in Psychology from the London School of Economics.

MAHA GANAPATHIM (Carnatic Classical Music - Vocal)

Sun, 06 Mar 2016 16:33:44 +0000

Visakha Music & Dance Academy AND Seetha Ramaiah Sangeetha Seva Trust Presented

Carnatic Classical (Vocal) by Smt. M Sasirani &

Hindustani Classical (Instrumental) by

Sri Subrata De, New Delhi (S I T A R)

Sri Saibal Chaterjee, Kolkata (Tabla)

Sri V Seetha Ramaiah, Visakhapatnam (Keyboard)

At: Kalabharati Auditorium, Visakhapatnam on 16-06-2013.

SOUND: SEETHA RAMAIAH's OWN SOUND SYSTEM (JBL)

The origin of Indian Classical Music:-
The origin of Indian Classical Music, can be traced back to the age of vedas (ie., the Samaveda, one of the four Vedas, describes music at length), Bharata's Natya Sastra, from around the 5th century A.D., and Saranga Deva's Sangita Ratnakara, from the early13th century A.D., that are considered to be the earliest recorded documents available on the theory and performance of Indian classical music. The history of Carnatic Classical music is incomplete without stating about the contributions made by the saints Sri Purandharadasu ( of 15th century A.D.) , Sri Thyagaraja , Sri Shyama Sastri (of 18th century A.D.), who left an enduring legacy of compositions. This tradition has a rich heritage and is perfectly attuned with Indian culture and religion.

Smt. M Sasirani (Visakhapatnam):- A senior Carnatic Classical Vocal exponent, initially learnt from Smt Darbha Vijayalakshmi, K Veerabhadra Rao, Edidha Kondala Rao, K Prakasha Rao, further from Sri Ivatoori Vijayeswar Rao from Visakhapatnam. Obtained Diploma in Carnatic Classical Music in 1988 and a graded Artiste of All India Radio & Doordarshan in Classical, light & Devotional music. Rendered Carnatic Classical (Vocal) concerts in All India Radio, on various stages including Visakha Music & Dance Academy, Visakhapatnam. A sincere, simple, humble personality ideal to be an example to others.

Item - 1.
Carnatic Classical Music (Vocal)

by Smt. M. SASIRANI, Visakhapatnam.

Mrindangam: Sri S Subramanyam, Violin: Sri H. Ramcharan.

'M A H A G A N A P A T H I M'

Raag; 'Nata Raagam
Taal: Aadi Taalam

Mari Vere Dhikkevarayya - Carnatic Classical Music - Vocal By Smt. M Sasirani

Sun, 06 Mar 2016 16:33:44 +0000

Carnatic Classical Music - Vocal by : Smt. M. Sasirani, Visakhapatnam.

Title: 'Mari Vere Dikkevarayya Rama'
Rachana: Sri Patnam Subrahmanyayyar Krithi
Raagam Shanumkhapriya
Taalam: Aadi Taalam

The origin of Carnatic Classical Music:-
The origin of Carnatic music or the South Indian classical music can be traced back to the age of vedas . Bharata's Natya Sastra , from around the 5th century A.D. , and Saranga Deva's Sangita Ratnakara , from the early13th century A.D. , are considered the to be the earliest recorded documents available on the theory and performance of Indian classical music . The history of Carnatic music is incomplete without stating about the contributions made by the saints Sri Purandharadasaru ( 15th century A.D.) , Sri Thyagaraja , Sri Shyama Sastri ( all of 18th century A.D.) , who left an enduring legacy of compositions. This tradition has a rich heritage and is perfectly attuned with Indian culture and religion. Carnatic classical music is based on a 22 scale note (swaras) on contrary to the earlier 12 note scale that is used in the western classical music. But in all its practical aspects and purposes, not more than 16 notes are generally used. A unique combination of these notes , or swara as they are said to evolves separate ragas. The features and the constraints of a raga will be clearly defined in the arrangement of the notes in its arohanam ( ascending notes ) and avarohanam ( descending notes ). Thus , in Carnatic classical music , the raga connotes a mood or a route in which the music is supposed to travel. . Different combinations of the notes gives rise to different raga . Thus, there are thousands of unique ragas as per theory though very few of them are being used for performances in the present days. Gamaka is the most important feature of the ragaa. The gamaka refers to the modulation of the frequency of a particular swara and the speed with which the musician performs a set of swaras or notes is also an important feature. Both these help to improve the appeal of the composition that is rendered . Western music is often based on a pattern of flat notes, on the contrary, here , the swaras are performed using various modulations . Another very important aspect of the Carnatic music is the thalam or the rhythm. The thalam is the rhythm of the piece that is being performed . Today, there exists more than hundred thalams , but here also, very few of them are in use . The most popular thalam have three , four , five, seven or eight beats in them.

The Melakarta Ragams
The Melakarta Ragams refers to the basic 72 Janaka (parent) ragams for all of the infinite number of other ragams in Carnatic Music. All of these ragams have seven notes saptaswaras, that is that they have all seven swaras which are- Sa, Ree, Ga, Ma, Pa, Da, Ni, and Sa. The system is further divided into two sets of 36 ragams each - The first set with the first Ma and the second with a sharper Ma . This is very similar to the Western concept of scales and the circle of flats.

Sapta Talas
This system of talams is the rythmic basis for Carnatic music. It is based on 7 core talas whcih use only 3 of the 6 possible components of an Indian talam - Anudrutam, Drutam, Laghu, Guru, Plutam, and Kakapadam. The Seven Talams are Dhruva, Matya, Rupaka, Jhampa, Triputa, Ata, and Eka Talams. Using these sapta talas all of the 150 Carnatic talams can be derived.

Thankyou.
Best Regards,
V Seetha Ramaiah,
Keyboard Artiste.

Sudhhamayi Sudhaanidhe - Carnatic Classical Music - Vocal By Smt. M Sasirani

Sun, 06 Mar 2016 16:33:44 +0000

Carnatic Classical Music - Vocal by : Smt. M. Sasirani, Visakhapatnam.

Title: 'Sudhamayi Sudhanidhei'
Rachana: Sri Muthhayya Bhagavatar Krithi
Raagam Amritha Varshini
Taalam: Roopaka Taalam

The origin of Carnatic Classical Music:-
The origin of Carnatic music or the South Indian classical music can be traced back to the age of vedas . Bharata's Natya Sastra , from around the 5th century A.D. , and Saranga Deva's Sangita Ratnakara , from the early13th century A.D. , are considered the to be the earliest recorded documents available on the theory and performance of Indian classical music . The history of Carnatic music is incomplete without stating about the contributions made by the saints Sri Purandharadasaru ( 15th century A.D.) , Sri Thyagaraja , Sri Shyama Sastri ( all of 18th century A.D.) , who left an enduring legacy of compositions. This tradition has a rich heritage and is perfectly attuned with Indian culture and religion. Carnatic classical music is based on a 22 scale note (swaras) on contrary to the earlier 12 note scale that is used in the western classical music. But in all its practical aspects and purposes, not more than 16 notes are generally used. A unique combination of these notes , or swara as they are said to evolves separate ragas. The features and the constraints of a raga will be clearly defined in the arrangement of the notes in its arohanam ( ascending notes ) and avarohanam ( descending notes ). Thus , in Carnatic classical music , the raga connotes a mood or a route in which the music is supposed to travel. . Different combinations of the notes gives rise to different raga . Thus, there are thousands of unique ragas as per theory though very few of them are being used for performances in the present days. Gamaka is the most important feature of the ragaa. The gamaka refers to the modulation of the frequency of a particular swara and the speed with which the musician performs a set of swaras or notes is also an important feature. Both these help to improve the appeal of the composition that is rendered . Western music is often based on a pattern of flat notes, on the contrary, here , the swaras are performed using various modulations . Another very important aspect of the Carnatic music is the thalam or the rhythm. The thalam is the rhythm of the piece that is being performed . Today, there exists more than hundred thalams , but here also, very few of them are in use . The most popular thalam have three , four , five, seven or eight beats in them.

The Melakarta Ragams
The Melakarta Ragams refers to the basic 72 Janaka (parent) ragams for all of the infinite number of other ragams in Carnatic Music. All of these ragams have seven notes saptaswaras, that is that they have all seven swaras which are- Sa, Ree, Ga, Ma, Pa, Da, Ni, and Sa. The system is further divided into two sets of 36 ragams each - The first set with the first Ma and the second with a sharper Ma . This is very similar to the Western concept of scales and the circle of flats.

Sapta Talas
This system of talams is the rythmic basis for Carnatic music. It is based on 7 core talas whcih use only 3 of the 6 possible components of an Indian talam - Anudrutam, Drutam, Laghu, Guru, Plutam, and Kakapadam. The Seven Talams are Dhruva, Matya, Rupaka, Jhampa, Triputa, Ata, and Eka Talams. Using these sapta talas all of the 150 Carnatic talams can be derived.

Thankyou.
Best Regards,
V Seetha Ramaiah,
Keyboard Artiste.

CARNATIC VOCAL | CLASSICAL MELODIES | BOMBAY S. JAYASHRI | JUKEBOX

Sun, 06 Mar 2016 16:31:10 +0000

Jayashri Ramnath (popularly known as Bombay Jayashri) is an Indian Carnatic music vocalist and music composer. She is a disciple of violin maestro Lalgudi Jayaraman.
Jayashri was born in Kolkata, into a family of music connoisseurs and musicians. While growing up in Mumbai, she started training in Carnatic music under the guidance of her parents Seetha and N. N. Subramaniam. Jayashri has a Bachelor of Commerce degree from R. A. Podar College, Mumbai. also has a Diploma in Music from Gandharva Mahavidyalaya, New Delhi.Jayashri's jugalbandis with Ronu Majumdar and Shubha Mudgal have been very well received.She has dialogued with artistes in dance like Leela Samson and Priyadarsini Govind. Jayashri has sung Thirukkural and an Annamacharya verse in the prestigious audio autobiography - Wings of Fire of former President Shri Abdul Kalam.She decorated many prestigious awards like Sangeetha kalasarathy,Tamil Nadu State Film Award for best Female Playback Singer,Kalaimamani,Sangeetha choodamani and Filmfare Award for best Female Playback Singer – Tamil.

Songs List:
1. Sidhivinayakam 00:00
2. Hecharikaga 06:17
3. Sabapatiku 12:46
4. Sri Venkata 19:39
5. Entanivina 28:26
6. Pakkala Nilabadi 34:09
7. Manadhir Kugandadu 45:55
8. Sarvam Brahamamayam 51:44

==Songs Details==
----------------------------
Song - Sidhivinayakam
Artist - Bombay S.Jayashri
Lyr & Comp - Dikshitar

Song - Hecharikaga
Artist - Bombay S.Jayashri
Lyr & Comp - Thyagaraja

Song - Sabapatiku
Artist - Bombay S.Jayashri
Lyr & Comp - Gopalakrishna Bharathi

Song - Sri Venkata
Artist - Bombay S.Jayashri
Lyr & Comp - Dikshitar

Song - Entanivina
Artist - Bombay S.Jayashri
Lyr & Comp - Pallavi Seshayyar

Song - Pakkala Nilabadi
Artist - Bombay S.Jayashri
Lyr & Comp - Thyagaraja

Song - Manadhir Kugandadu
Artist - Bombay S.Jayashri
Lyr & Comp - Thanjavur Sankaraiyer

Song - Sarvam Brahamamayam
Artist - Bombay S.Jayashri
Lyr & Comp - Sadasiva Brahmendrar

Label - VANI
For More Visit us at
http://www.facebook.com/inreco.hindusthan
https://www.youtube.com/user/janaganain
http://www.youtube.com/user/TheVintageGlory
https://www.youtube.com/user/ClassicalCarnatic
https://twitter.com/inrhind
http://www.janagana.in/
http://digital.janagana.in
http://blog.janagana.in

CARNATIC VOCAL | SONGS OF PURANDARADASA | ASSORTED ARTISTES | JUKEBOX

Sun, 06 Mar 2016 16:31:10 +0000

Tracks List=
1. Sakala Graha Bala 00:00
2. Narayana 06:46
3. Thirupathi 12:02
4. Yaenu Maadi Tharenu 18:32
5. Innudaya Bharathe 22:48
6. Chandrachuda 28:13
7. Ramanama Payasake 31:25
8. Kandena Govinda 37:45
9. Dharma Sravana 43:02
10. Venkatachalanilayam 47:10
11. Entha Cheluvake 50:23

Purandara Dāsa (Kannada: ಪುರಂದರ ದಾಸ)[1] (1484–1564) is a prominent composer of Carnatic music. He is widely referred to as thePitamaha (the father or the grandfather) of Carnatic Music in honour of his significant contribution to Carnatic music. He formulated the basic lessons of teaching Carnatic music by structuring graded exercises known as Swaravalis and Alankaras, and at the same time, he introduced the Raga Mayamalavagowla as the first scale to be learnt by beginners in the field. He also composedGitas (simple songs) for novice students.
Purandara Dasa addressed social issues in addition to worship in his compositions, a practice emulated by his younger contemporary, Kanakadasa. Purandara Dasa's Carnatic music compositions are mostly in Kannada; some are in Sanskrit. He signed his compositions with the mudra (pen name), "Purandara Vittala" (Vittala is one of the incarnations of the Hindu god, Vishnu).
Inscriptional evidence suggests Purandara Dasa was born in 1484 CE in Kshemapura, near Tirthahalli, Shivamogga district,Karnataka state. According to other opinions, his native town was Purandaraghatta in Karnataka, or Purandaragad near Pune, but the latter is considered a historical mistake - connecting his "pen name" (his ankita) with a location that mainly served as a military encampment in the 15th and 16th century.
Purandara Dasa systematized the method of teaching Carnatic music which is followed to the present day. He introduced the raga Mayamalavagowla as the basic scale for music instruction and fashioned series of graded lessons such as swaravalis, janti swaras, alankaras, lakshana geetas, prabandhas, ugabhogas, daatu varase, geeta, sooladisand kritis. Another of his important contributions was the fusion of bhava, raga, and laya in his compositions. Purandara Dasa was the first composer to include comments on ordinary daily life in song compositions. The itinerant dasas who succeeded him are believed to have followed the systems he devised, as well as orally passing down his compositions.According to traditional sources his compositions number as many as four lac and seventy five thousand. But not more than 700 compositions are accessible now.

==Track Details==
All Tracks inThis Jukebox Lyrics & Composer - Purandaradasa
Track - Sakala Graha Bala
Artist - S.P.Ramh
Track - Narayana
Artist - Sangeetha Sivakumar
Track - Thirupathi
Arist - Nithyasree Mahadevan
Track - Yaenu Maadi Tharenu
Arist - Dr.M.Balamuralikrishna
Track - Innudaya Bharathe
Arist - Bombay S. Jayashri.
Track - Chandrachuda
Arist - Neyveli R.Santhanagopalan
Track - Ramanama Payasake
Arist - Priya Sisters
Track - Kandena Govinda
Arist - Sanjay Subrahmanyan
Track - Dharma Sravana
Arist - Priya Sisters
Track - Venkatachalanilayam
Arist - P.Unnikrishnan
Track - Entha Cheluvake
Arist - Sankaran Nambudiri

Label - INRECO
For More log on
http://www.facebook.com/inreco.hindusthan
https://www.youtube.com/user/janaganain
http://www.youtube.com/user/TheVintageGlory
https://www.youtube.com/user/ClassicalCarnatic
https://twitter.com/inrhind
http://www.janagana.in/
http://digital.janagana.in
http://blog.janagana.in

Neeke Theliyakapothe Rama - Carnatic Classical Music - Vocal

Sun, 06 Mar 2016 16:31:10 +0000

Visakha Music & Dance Academy Presents
CARNATIC CLASSICAL MUSIC - VOCAL.

Title:- Neeke Theliyakapothe Rama

Vocal: Smt. M Sasirani (Visakhapatnam)

Violin: Sri H. Ramcharan

Mridangam: Sri G Venkata Rao

Venue: Kalabharati Auditorium, Visakhapatnam (AP), India.

Date: 24-10-2013.

Raga Malkauns/Hindolam By SANGAM-Indian Classical Music (Hindustani And Carnatic Music)

Sun, 06 Mar 2016 16:31:10 +0000

Please like this page
http://www.facebook.com/sangam.music
This is a recording of Raga Malkauns/ Hindolam respectively of Hindustani and Carnatic Music. The first composition is a traditional Hindustani Music composition "Dheeta Langara" set to Ek Tala, followed by a Carnatic Music composition "Samaja Varagamana" set to Adi Talam. Following this a percussion duet between the Tabla and Mridangam and the performance is concluded with a self composed Tarana based on Teen Tala.
The performers are:
Avinash Kumar - Hindustani Vocal
Sowmya Gurucharan - Carnatic Vocal
Soumitra Thakur - Sitar
Rajeev Prasanna - Hindustani Flute
Mahavir Chandravat - Tabla
Manohar Balatchandirane - Mridangam

Chalamelaraa - Carnatic Classical Music - Vocal